Riga Photography Biennial Award 2018 Seeking the Latest in Photography!
The goal of the Seeking the Latest in Photography award is to discover and appraise the creative
efforts of young artists, who show the power of the image in their works, offering an original point
of view and conceptual depth, suited to the times. The Riga Photography Biennial Award 2018
Seeking the Latest in Photography has been awarded to Diāna Tamane (Latvia), Taavi Suisalu
(Estonia) and Kristīne Madjare (Latvia). The special prize from NoRoutine Books’ (Lithuania) – an
opportunity to publish own photography book - has been awarded to Madara Gritāne (Latvia).
Diana Tamane Blood pressure, 2016
“Often I am interested in what is broken or not functional, quiet tensions in the communication
between people. I use daily events and inner conflicts as a tool to reflect on contemporary life.
"Blood pressure" is the collection of images I found in my great-grandmother`s family album. Every
day until her death she measured her heart beat and blood pressure and wrote it down in a
notebook. When she couln`t find the notebook, she wrote it down on what was near at hand.
Apparently this everyday ritual was more important for her than photographs – her memories.”
“The artist is using found images made by her grandmother. It is characteristic to her practice to use
family photos as a way of exploring her own identity. I also like the fact the artist is not producing
new photos but is helping us to focus on and reinterpret already existing visual archives, on this
occasion - very personal archives of her family.” (Valentinas Klimašauskas)
Taavi Suisalu Distant Self-Portrait, 2016
„The series is an archive of cosmic field-recordings and distant photographs which have been
collected from the outer layers of technological sphere. These signals have been recorded by the
artist from a dozen satellites in orbit which have due to malfunctioning exhausted their practical or
scientific value and therefore have been turned off. Due to favorable glitches in their systems these
machines have sprung back to operational mode broadcasting information of an unpredictable and
improvised nature. Satellites were initially launched for political and military use but have since also
become devices for scientific, communication and leisure purposes becoming part of our extended
neural networks and altering our perception of space, time and landscape. These devices can be
seen as lonesome galactic cowboys playing the cosmic blues but also as utopian feats of technology
and structures of power that resist gravity by freefalling for decades. In this series landscapes and
portraits are interwoven. The landscape becomes a self-portrait, a distant selfie, a cosmic reflection
which holds the photographer and the portrait of himself as the smallest unit of an image centered
on the photograph.”
“As the competition is very photography-centred in its traditional sense, Suisalu’s project stands out
for the use of multimedia. I am a bit tired of surveillance cameras and other methods of making you
feel ‘aware of the space’, but Suisalu has raised the narcissistic self-reflection complex to a new level
by combining it with our tendency to humanize machines. His work features retired satellites
orbiting the earth and painting, since there is nothing else left for them to do. The work has a very
mesmerizing visual effect.” (Indrek Grigor)
Kristīne Madjare Retreat, 2015 – ongoing
„I took the photos at a Christian commune for people suffering from addiction. Enormous despair
and pain brings these people to this place of retreat where they can heal. People have to break their
old habits and, in a state of exhaustion, change their thinking through prayers, work and fellowship
in the hope of renewing themselves. Series of photographs are about the border between pain and
healing where people have to break their sense of worthlessness, helplessness and hopelessness.
Through photography I want to explore pain in the body and mind, how we see our pain and how
others, how it affects us and if it can become ours.”
“This project is like a quiet, visual poetry. A powerful series of carefully composed images depicting
people who have reached an important turning point in their life – they have decided to fight their
addiction. “Retreat” is a courageous project, both - for the person behind the lens and its subjects.
Madjare succeeds in portraying vulnerable people and their everyday life without exposing them.
You get a clear impression that there is a sense of trust between the photographer and the people
she works with. Madjare invites us into a place unknown to many and raises important timeless
questions through her beautiful, unsentimental images of human struggle, pain, dignity and hope.”
(Marianne Ager)
Participants: Diāna Tamane (LV), Taavi Suisalu (EE), Kristīne Madjare (LV)
Jury: Marianne Ager (DK), Ieva Epnere (LV), Indrek Grigor (EE), Valentinas Klimašauskas (LT), Adam Mazur (PL), Paola Paleari (IT/DK), Daiga Rudzāte (LV), Baiba Tetere (LV)
Curator: Inga Brūvere (LV)
Organizer: Riga Photography Biennial in cooperation with the Association of Culture Institutions of Riga City Council, Riga Art Space and Estonian Embassy in Latvia
Image: Diāna Tamane. From the series Blood pressure, 2016
